Larisa Jin
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Maoist Gender Politics: The Archetypal Female Image in Revolutionary Theatre
Women’s Studies
Volume 8 | Issue III | September 2024
Mulgrave School ’25
British Columbia, Canada
My academic pursuits have always revolved around the complexities and varieties of language. This enthusiasm stems from a broader interest in the influence of literature; the compelling voices that strive to narrate stories, be they factual, like historical texts, or purely imaginative works. Driven by this passion, I seek to find my own voice in writing by participating in programs such as The School of The New York Times Summer Program and the Sciences Po Pre-College Program, where I had the opportunity to learn from expert mentors and interact with an energetic peer group. My fascination with women in politics and history began with an intensive study of women’s rights and politics during a history course on the Maoist era. While dissecting Angela Carter’s The Bloody Chamber in my literature class, I delved into traditional gender roles and the intricacies of female objectification and emancipation. This essay, a major foray into the interdisciplinary field of women’s studies, politics, and history for me, delves into Maoist China and the debates over Mao’s revolutionary operas, especially their efforts to advance feminism during the Cultural Revolution. I discovered The Schola through an encouraging academic mentor, who recommended that I seek publication. This endeavor has been a profound learning journey, necessitating the synthesis of numerous academic sources and effectively communicating my insights. This endeavor has further ignited my passion for writing and scholarly inquiry. Outside of academia, I enjoy skiing, reading, community engagement, music, and late-night drives. I am excited to present my findings to the readers of The Schola and hope it motivates others to participate in and contribute to the academic community.